Some of my LUTs have more contrast than others for a more creative look. My intent is to not “destroy” the image with too much contrast or saturation like many other LUTs out there do, so consequently, additional contrast or saturation may be needed to your footage to suit your preference. In many cases, they look great without any other corrections (when your footage is exposed and balanced properly), but I intentionally do not stretch the contrast/saturation very far so as to work in all lighting conditions. *These LUTs are designed to give you a starting point for color grading. ![]() I prefer this for low-light scenarios over Base. I prefer this for low-light scenarios over Base.įaithful Alt: Same as Faithful but just a touch less warm in the highlights. Accurate colors and skin tones.įaithful: Less aggressive contrast curve than Base. More aggressive contrast curve than Faithful. ![]() Ideal for Rec709 timelines/exports.īase: Great one-click starting point for Rec709 transform. It’ll get you nearly there if you find or have a distinct look. S-Log ermglicht Ihnen, all diese Informationen beizubehalten. Kameraleute, die nach dem aktuellen Standard REC.709 drehen, mssen sich entscheiden, ob sie Details in den dunklen oder hellen Bildbereichen opfern. I do not recommend this for 8-bit capture. Creating or using a LUT can make the whole editing process take a fraction of the time. S-Log ist eine Log-Kurve, die speziell fr digitale Filmkameras optimiert wurde, um die Leistung des Bildsensors zu maximieren. This LUT pack is perfect for any Sony camera that shoots in S-Log3 in SGamut3.Cine in 10-bit color. Import the preset file or just drag and drop the LUT to your video to add fantastic color grading. You can use them for your films and TV, social videos, presentations, and more. The pack includes 19 Cinematic luts that emulate different looks from Natural Rec 709 to Cinematic Teals and Vintage Film looks.A fantastic one-click Rec709 transform LUT for Sony S-Log3 (SGamut3.Cine). This LUTs pack contains 20 Sony Slog3 Underground LUTs and 20 Underground Rec 709 LUTs. cube e funcionam perfeitamente em FCPX, Premiere Pr CC, DaVinci Resolve e outros editores de vdeo. Dessa forma, voc pode criar uma atmosfera mais dramtica e evocar sentimentos particulares. The luts are compatible with any video software that uses *.Cube files or 3D Luts. Slog 2 LUTs desta coleo so ferramentas ideais se voc deseja tornar seus vdeos ainda mais saturados. Do not shoot with Auto WB unless your light temperature changes very quickly during the shoot.įor best results add the Luts in Creative Tab under Lumetri Color so that you can play with the intensity in case you think the lut is too strong or too weak. Preferable set a custom WB before shooting using a grey card. Exposing slog3 to the right will preserve a better noise ratio in the shaddows and will increase the dynamic range of the scene. This LUTs pack contains 22 Cinema Slog2 LUTs and 22 Cinema Rec 709 LUTs. ![]() It was built from scratch by me and used wi. In order to get a good exposure you need to ATTR ( expose to the right) +1.7 to +2 stops depending on the lighting. This SLOG3 to REC-709 LUT is designed to be used against footage that was captured 1.5 to 1.7 stops over exposed. Those Luts are created for Sony A7SIII A7IV Slog3, S-Gamut3.Cine, PP8 Picture Profile.ĮXPOSURE SETTINGS: ATTR +1.7 to +2 Stops.
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